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Posts Tagged ‘Dance Performance’

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SAVE THE DATE: FRIDAY, June 2nd, 2017 at 7:30pm
at IDACO FESTIVAL in NYC.

I will show a 15 minute excerpt of a new choreographic study entitled “No more beautiful dances”.

Come and see the beginning of what will be a larger solo show I’m working on as part of my MFA thesis.
“No more beautiful dances” wrestles with the ideas of exploration, introspection and reframing a woman after becoming a mother, and being an inmigrant. 
Through real and fantastic characters, Lenzu’s dance theater piece uses spoken word, music landscapes and photo projections to tell a personal vision of femininity, and 
what it means to be a woman today.
Choreographer and Dancer: Anabella Lenzu
Video Projector Design: Todd Carroll
Costumes: Jennifer Johanos.
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Article by Courtney Kenyon  (AL/DD Marketing/ Development Intern)

When Anabella Lenzu began this process in March of 2014 after the passing of her father, she had no idea what the end result was going to be, or what the product was going to become. Anabella began to ask herself how she was going to get to the heart of what she was feeling. So she began to write, and reminisce. With the material Anabella was able to come up with, there could be four or five more shows to include everything.

The creative process is quite different from the grieving process, however there are times where we find that they intertwine. When Anabella began working on this piece the two were tightly connected. The show was therapeutic. She began writing down stories, some important with strong moral endings, some bittersweet or light hearted. She wrote anything and everything even if it was painful, because this was what she wanted to give to her dad. As the process continued however, Anabella found that the two were no longer connected. Though she creates for herself because she needs to feel it, the work is not just about her, but it’s about anyone who has suffered loss. The show became less therapeutic and Anabella soon approached it technically. As she worked, the piece became about generosity. She became aware that there would be people watching the piece and wanted to give them a way to cope with something they might be going through personally.

Anabella and I spoke of the short time she lived in Italy between 2002 and 2005. She remembers the mourning dances. These were rituals that dated all the way back to Ancient Greece. Female dancers or actors of sorts would come and dance around the home of a family who had just lost someone, similar to an exorcism. They would try and cure the family’s grief by helping them to understand life and death. In Pursuit of Happiness has become Anabella’s own contemporary mourning dance, and she has really enjoyed exploring ‘the function of dance as a ritual’ the way it was used in ancient Italy and Greece.

Another therapeutic piece of this endeavor was the music. The tracking for the show is comprised of some of Anabella’s father’s favorite songs, environmental sounds, and a few other special sounds. One of the special sounds you will hear in the performance is a short song that Anabella’s father taught to her when she was just a young girl that you will hear a recording of her trying to teach it to Lauren, her dancer. Another special soundbite you might catch is the sound of her father’s printing press. Anabella was able to travel to Argentina and record the many sounds of her father’s shop. So what you hear is not just a door shutting, it is the door of his shop shutting, and it’s his printing press, and it’s his paper running through the machines. It gives the piece a much more authentic feel. It was a very ‘tangible way to document his printing in the show’.

Make sure you come see In Pursuit of Happiness Friday October 23-Sunday October 25 (8pm shows) at the Alchemical Theater in NYC. Limited seating! You can purchase your tickets online. https://web.ovationtix.com/trs/pr/951784

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How to photograph an idea.

How to photograph a movement.

How to photograph a life.

Article by Courtney Kenyon  (AL/DD Marketing/ Development Intern)

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In February of 2014, Anabella Lenzu, Argentinean choreographer who moved to New York 10 years ago, lost her father. After just being granted an artisan residency at DUO Multicultural Arts Center, she decided that now was the time to step away from her political piece and try and create something that wasn’t necessarily an homage to her father, but focused on the memories and moments she kept with her now that he had passed.

While we sat down to discuss the ideas behind this new abstract way of using photography so heavily in her piece, Anabella remembered that when she and her husband moved to New York, her father had told him to photograph everything that they saw, and once they returned to Argentina, her husband’s photos could be displayed in a gallery. They never got around to taking the photos until now. Anabella set out to rehearsal in downtown Manhattan and began to photograph anything she was drawn to in a completely unconscious, non-specific pattern. She would take photos zoomed in so tightly that you might not even realize what the object was. She would take pictures of things she saw on her travels that were broken or covered in graffiti, or decaying. She took pictures of construction sites, walls, even a rusted nail on the ground. The choreography of this piece; In Pursuit of Happiness isn’t abstract however the photos are, creating a really thought provoking juxtaposition.

After approximately 5 months of this process, Anabella decided to start to really look at what she was photographing. Each photo she took had some kind of connection to her father. Anabella says that the photos were “…a safe media that allowed me to express how I feel and it was much more in a way, safe or secure because I didn’t need to articulate my ideas with my dancers because it was something emotional.” The photos became a coping mechanism for her while working through the grieving process. In these early stages, it was easier to be behind the camera reacting to what she was seeing rather than what she was feeling.

Her husband sent her off to rehearsal one day with a small cordless projector and a slideshow of everything she had done so far, telling her to just ‘go play around’. Anabella and a friend began to pair dance with the photos and saw magic. The photos created a costume on her dancer, along with an “emotional and atmospheric environment”. Once this process really got rolling, Anabella continued to take photos to enhance movement she had choreographed, including photos of her father’s old printing shop back in Argentina. This organic, fresh new style of choreography and performance, Anabella tells me, is extremely metaphoric. A father projects on his daughter, just as Anabella projects her photos on her dancers and audience. Anabella’s father projected on her, just as Anabella projects on her own children and her students. It’s about the feeling and the presence of her father in her life instead of a scrapbook full of photos. People leave us with feelings that can be universally understood, which is what Ms. Lenzu hopes the audience takes away from this piece.

Be sure not to miss In Pursuit of Happiness by Anabella Lenzu/Dance Drama. Preview performance at the Argentinean Consulate- Wednesday, September 30 @ 6pm (RSVP required). Public premiere at the Alchemical Theater  Friday October 23 @ 8pm through October 25.  Limited seating! Tickets online https://web.ovationtix.com/trs/pr/951784

For more information check out AnabellaLenzu.com

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READING & DANCE PERFORMANCE

Unveiling Motion and Emotion by Anabella Lenzu

Wednesday, December 3 at 5:30pm 
at Bronx Museum/ BCA BRONX CULTURE TROLLEY NIGHT 
Location: North Wing Lobby

FREE Admission / Limited seating
RSVP required: info@anabellalenzu.com

Exploring the importance of dance, community, choreography and dance pedagogy, Argentinean Choreographer Anabella Lenzu celebrates 23 years of teaching dance in a book of her writings in Spanish and English. Having opened her own dance school at 18, Lenzu recounts her experiences teaching in South America, Europe, and the US, as well as publishing an arts magazine and creating repertory for her dance company. Lenzu’s eloquent prose reveals reflections of a life devoted to dance performance and education. Photography by Todd Carroll fully documents the performances and provides a glimpse into the creative process. This book is an inspiration to dancers and teachers alike, and the first of its kind as a bilingual text on dance pedagogy.

“I invite you to submerge yourself and pursue self-knowledge because
without that, we are lost in life.
When we remain strangers to ourselves, we are deprived of the pleasure of growing,
transforming, and finally discovering an inner balance.”

http://www.AnabellaLenzu.com/book

Trolley at Hostos

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