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Posts Tagged ‘Anabella Lenzu /DanceDrama’

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Article by Angela Schöpke  (AL/DD Marketing Assistant)

“My emphasis is on the journey rather than the destination, on understanding the impulses generated by movements and gestures. I am constantly searching for authentic and honest movement. Derived from our most basic impulses, my dances use this principle to examine relationships between the individual and society, exploring communication, identity, memory, and spirituality, the relationship between people and their environment. That was the inspiration for my company’s name – DanceDrama—because for me, dance and theater are inseparable.” – Anabella Lenzu

As Anabella mentions, journey rather than destination is vital to AL/DD work. With  AL/DD’s dancers moving into their second month of rehearsals for Pachamama: Mother World, we were curious about what their creative journeys have been like in learning the choreography, internalizing each of the thirteen different ritual characters, and of course for many – becoming new AL/DD initiates.

Pachamama: Mother World will be performed at Dixon Place’s FastForward Festival on Tuesday, May 17th at 7:30pm, and the full-length work as part of Sheen Theater’s Italian Dance Connection (IDACO) Festival on Saturday, May 28th, 7.30pm. AL/DD will also host an open rehearsal on Monday, April 18th at 7:30pm in Duo Multicultural Arts Center’s theater.

We started by chatting with Assistant to the Choreographer, Lauren, and apprentices Dina, Hope and  César  about their experiences jumping into Pachamama. Here’s what they had to say:

“Having gone through the process [of performing Pachamama: Mother World] once, there’s something familiar about coming back to it. Finding those characters, it almost feels like they never completely went away, I just have to find the place inside me where they are. I’m really glad to have the opportunity to do the piece again, because I feel like whenever you have the chance to perform a work that you’ve done before, you get to explore how far you can take it. You get to dig deeper into the characters and continue to keep them alive, give them more dynamics and more dimension. At the same time, I guess a lot of the process doesn’t feel like it’s changed very much when I approach this work from a performance standpoint. It takes just as much effort as it did the first time  to embody or tell the story of these characters because they are so foreign to us as human beings in present day New York society, where there the characters are acting in ways their New York contemporaries  never would.” – Lauren Ohmer

“I love the ritual behind the movement. I love that Anabella is looking at this ancient ritual and bringing it back into current society. I’m finding such parallels with human morality and behavior today and the rituals that these people did so many years ago. I think I’m somehow channeling these ancient characters, something very ancient in our own collective humanness. It’s almost like bloodline, but it’s this spiritual line, it’s this human line because I think the characters really deal with a lot of raw human emotions that we go through as we grow up, so it makes sense as a rite of passage.” – Dina Denis

“I think that this is one of the most intellectual pieces I’ve had to work through in dance. We have to take a character and become that character. It becomes storytelling. I’ve feel I’ve become a much smarter dancer. It’s a lot of things to think about and understand before doing it. As we work on the piece, I’m noticing more and more that the work is getting more and more emotional. I have to think about the characters every day before rehearsal to prepare myself. I have to think about Koshmek’s different mood swings, about internal energy for the Babies because they’re like rocks. I have to think more about how the character would experience a movement.” – Hope Parker

“Anabella really helps us develop the characters. It’s not only about the steps or the dance – it has a meaning to it. She has this thing called the inner chicken, which means that whenever you’re dancing you have to be thinking about something. So if you need to put your arm here, it’s not just putting your arm there. You’re thinking about why that’s happening the whole time. So it’s really hard, but then everything makes more sense. Everything is more specific.  I’ve never worked with such a strong connection to a character so that I really understand more. You actually discover so many things about yourself that you didn’t know you had.” – César Brodermann

Many thanks, Lauren and apprentices, for sharing your thoughts! Stay tuned for dancers’ Sydney, Graham, Erik, and Kara’s thoughts on embodying Pachamama!

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Article by Courtney Kenyon  (AL/DD Marketing Assistant)

Happy New Year!

As some of you may know, Anabella Lenzu/Dance Drama recently embarked on their Argentinian Tour! This tour took quite a bit of planning, especially since we were working internationally, but in the end this tour was not only rewarding artistically, but also personally for Anabella.

For starters, prior to this tour, Anabella had not been able to showcase her work in Argentina since 2005. To be able to share her work not only with friends and family, but also colleagues was extremely special. Many of Anabella’s past students and even their parents came to support AL/DD, and brought photos and shared fond memories of their days in the studio. As we spoke, Anabella told me that these encounters were some of Anabella’s favorite moments of the tour because they helped to remind her of who she was, and who she is. Living in New York, with everything going on, sometimes you forget the little things, and forget some special memories, but this tour helped all of Anabella’s worlds connect.  

The tour started in Buenos Aires, which was the more ‘professional’ leg of the tour. Anabella had dancers, directors, press and more attending her presentation of In Pursuit of Happiness and her book  Unveiling Motion and Emotion presentations at Centro Cultural Borges. Many dancers and directors mentioned that they were surprised to see something so avant garde as it is so different from usual Argentinian and European choreography. Anabella’s production is a melting pot, including media, dance and music, and Anabella even joins the piece at certain times. It is very evident that Anabella is inspired by many things and all her different surroundings whether it be in New York, Argentina, or Italy. Anabella’s work breaks boundaries all while having a strong message and keeping the language intact. 

Bahia Blanca was a much more family oriented experience. Most of Anabella’s relatives have never seen her perform before, so it was wonderful to have them experience and understand her life. Anabella held her book presentation at Centro Historico y Cultural UNS, at Universidad del Sur. It was a very different experience to share her repertory while presenting because so much of her work has to do with Argentinian culture, and politics. Many locals and guests were surprised dancer Lauren Ohmer was able to understand the Argentine culture through dance and movement. The simple response; dance is a universal language. The book presentation as a whole ‘felt more like an inside joke’ Anabella said, because she knew everyone in the room, she was able to talk with the audience instead of reading her prompts because she was discussing something both she and the audience shared, which was a very gratifying experience. In Pursuit of Happiness was performed at Museo de Arte Contemporaneo Museos de Arte: MBA-MAC right in her hometown. Anabella is very open and was able to share a part of herself with many people she knew well, including some teachers from high school. Death is felt the same way universally, therefore the piece, in honor of her recently passed father was well received and appreciated by all.

Overall the tour was a great success. AL/DD received some wonderful coverage by local newspapers both in Bahia Blanca and Buenos Aires, and the trip exceeded many Anabella’s expectations. It was so wonderful to have her whole family, and resident dancer Lauren and her husband together in Anabella’s own hometown. Anabella has always felt as though she lived in three different worlds between Argentina, the U.S, and Italy,  but having Lauren and husband Eric with her finally linked all her worlds into one, and for that, she is highly grateful.

CLICK this LINK to see photos from the Anabella Lenzu/DanceDrama Argentinean Tour 2015! 

What the critics have said: 

Thanks for being by our side all these years!

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Feliz y Agradecida por tan hermosa entrevista por María Inés Di Cicco para ‪#‎LaNuevaProvincia‬, acerca de mi libro mi libro y mi nuevo espectáculo en ‪#‎BahiaBlanca‬!

http://www.lanueva.com/aplausos-impresa/845157/anabella-lenzu–con-el-empuje-de-una-inmigrante.html

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