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Archive for the ‘Unveiling Motion and Emotion’ Category

Gracias Danzahoy En Español por su reconocimiento y tan linda nota celebrando el 10 Aniversario de mi compania en Nueva York!
Gracias por valorar nuestro arduo trabajo y compromiso para con la Danza y el Arte!
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ALDD 10th Anniversary Timeline

10 Years, 300 Performances, 12 Choreographic works in 80 Venues.

Inline image 22016 DanceDrama 10th anniversary! Argentinean tour presenting Unveiling Motion and Emotion and premiering In Pursuit of Happiness with Lauren Ohmer in Buenos Aires and Bahia Blanca. Hosted the 3rd Annual DanceDrama Laboratory Workshop Series; Re-staging the full-length show Pachamama: Mother World; artist in residency at DUO Multicultural Art Center (DMAC); Anabella guest judges for xyz nyc at The Tank; book presentation at Figment Festival.

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2015: Premiered In Pursuit of Happiness, performed by Lauren Ohmer and Anabella Lenzu, directed by Daniel Pettrow and music design by Todd Carroll; residency at DUO Multicultural Art Center (DMAC); Unveiling Motion and Emotion was awarded Honorable Mention Best Art Book/ Spanish or Bilingual from the International Latino Book Awards in San Francisco from the American Library Association Conference; book readings at Bernie Wohl Center and Cornelia Street Caffe;International Artist Seminar at Peridance in NYC; Unveiling Motion and Emotion sold 90+ copies, Anabella was a faculty member at Wagner College and Peridance Center and taught 350+ classes. AL/DD hosted the 2nd Year of DanceDrama Lab Workshop Series.
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2014: Re-staged the full-length show The Grass is Always Greener; Residency at the Cave. Four book presentations at Casita Maria, City Reliquary Museum, Nuyorican Poet Cafe and Bronx Museum. 5th Annual AL/DD Summer Intensive Workshop; 1st DanceDrama Laboratory Workshop Series, a year long Dance Theater Laboratory: focusing in Technique & Repertory, Choreography/Composition and Methodology of Teaching Dance. 20th Anniversary of L’ATELIER Centro Creativo de Danza (dance school Anabella founded in 1994 in Bahia Blanca, Argentina); Fellowship at The Cave

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2013: premiered Pachamama: Mother World as an artist in residency at DUO Multicultural Art Center (DMAC) and Envoy Enterprises: first collaboration with Jennifer Johanos as costume designer and Todd Carroll as a music landscape designer. Anabella published her first book Unveiling Motion and Emotion and offered 8 book presentations in Universities, Museums, Bookstores …even in the Argentinean Consulate; Photographic exhibition Unveiling Motion and Emotion by Todd Carroll at DNA (Dance New Amsterdam);Unveiling Motion and Emotion for sale on Amazon! 20 Shows in 15 Venues; 200 Books sold, Interviews in TV and magazines, including NBC, Telemundo, Dance Information, Dance Magazine among others; Active member of The Dance Critics Association; 4th Annual AL/DD Summer Intensive for the study of technique and repertory.
My daughter Fiamma Lenzu-Carroll was born!
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2012: premiered Sangre and Arena with dancers Lauren Ohmer and Julia Lindpaintner, artist in residency at DUO Multicultural Art Center (DMAC) second collaboration with composer Geoff Gersh & second collaboration with Daniel Pettrow; Participating in The Association of Performing Arts Presenters (APAP); 3rd Annual AL/DD Summer Intensive at Peridance Center.
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2011: Re-staging of The Grass is always Greener… at Baryshnikov Arts Center in celebration of the 5th Anniversary of ALDD. Anabella celebrates 20 years of teaching dance! 2nd AnabellaLenzu/DanceDrama Summer Intensive Workshop at Peridance;  Choreographed for a work for the 100th Anniversary of the Triangle Shirtwaist Factory Fire of 1911, one of the largest industrial disasters in the history of New York City; 5th Annual Ciao Italy Performing Arts Festival; Anabella creates a YouTube channel with excerpts and examples of dance from pre-history to contemporary dance.
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2010: premiered, The Grass is Always Greener… and first collaboration with actor and director Daniel Pettrow; Anabella’s Blog opens; 1st AnabellaLenzu/DanceDramaSummer Intensive Workshop at CRS Education/Outreach: Extensive teaching workshops in New York, Georgia, Virginia, and North Carolina: building from my relationships with schools, festivals, and communities. Participated in Association of Performing Arts Presenters (APAP) Conferences. Organized and produced 4th Annual Ciao Italy Performing Arts Festival.
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2009: Premiere of The Corral at Merce Cunningham Studios; 3rd Annual Ciao Italy Performing Arts Festival, in Williamsburg, Brooklyn: conceived as a bridge between the historic Italian community in Williamsburg and the more recent community
of artists who are living and/or working in the neighborhood. We present traditional and Italian-inspired work by contemporary performers and scholars.
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2008: Artist in residency at Dance New Group. Premiere of The Garden: first collaboration with composer Geoff Gersh & second collaboration with photographer Todd Carroll; Brooklyn Arts Council Grants to produce 2nd annual Ciao Italy Performing Arts Festival; first annual Embrace Argentina, an intensive Tango travel experience to Argentina for students and professional dancers; Became an official member of the International Dance Council (CID) through Unesco: Selected as a finalist in the New York Urban Artist Initiative; 25 performances, in 8 venues.
My son Lucio Lenzu-Carroll was born!
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2007: Artist in residency at Chashama; NYC premiere of Ilusiones de Percantas ( Women’s Dreams); Independent Community Foundation produces inaugural “Ciao Italy Performing Arts Festival” ; Guest choreographer for Anna Sokolow DanceTheater Company and New Dance Group Company. Produced three “Prelude to Dance” showcases presenting the work of more than 10 emerging choreographers in Williamsburg, Brooklyn. 50 performances in NY, VA, NC & GA!
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2006: Inception of the company, artist in residence at DNA (Dance New Amsterdam).  First evening-length work: Amen; First collaboration with photographer Todd Carroll. Produced three “Prelude to Dance” showcases presenting the work of more than 10 emerging choreographers in Williamsburg, Brooklyn. 25 performances in 10 venues.

To all the supporters, family and friends for supporting us economically and emotionally. You make this company possible.

Thanks for trusting and for being my partner! Anabella

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Happy to share another great review of my book Unveiling Motion and Emotion from Adventures of LitGirl/Lauren Wood:
“…worth a read for anyone interested in dance or just wanting to explore the creative process involved in working on anything artistic.”
“…reading about Lenzu’s experiences … make me appreciate dance in a new way.”

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Hola Amigos,

Thanks for supporting the creation of Unveiling Motion and Emotion in 2011!

Almost 3 years since the publication of my first book, Unveiling keeps getting amazing reviews

-and now International acclaim!

Two Italian dance publications reviewed Unveiling! Enjoy the critiques!

 

http://www.anabellalenzu.com/book/

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Article by Courtney Kenyon  (AL/DD Marketing Assistant)

Happy New Year!

As some of you may know, Anabella Lenzu/Dance Drama recently embarked on their Argentinian Tour! This tour took quite a bit of planning, especially since we were working internationally, but in the end this tour was not only rewarding artistically, but also personally for Anabella.

For starters, prior to this tour, Anabella had not been able to showcase her work in Argentina since 2005. To be able to share her work not only with friends and family, but also colleagues was extremely special. Many of Anabella’s past students and even their parents came to support AL/DD, and brought photos and shared fond memories of their days in the studio. As we spoke, Anabella told me that these encounters were some of Anabella’s favorite moments of the tour because they helped to remind her of who she was, and who she is. Living in New York, with everything going on, sometimes you forget the little things, and forget some special memories, but this tour helped all of Anabella’s worlds connect.  

The tour started in Buenos Aires, which was the more ‘professional’ leg of the tour. Anabella had dancers, directors, press and more attending her presentation of In Pursuit of Happiness and her book  Unveiling Motion and Emotion presentations at Centro Cultural Borges. Many dancers and directors mentioned that they were surprised to see something so avant garde as it is so different from usual Argentinian and European choreography. Anabella’s production is a melting pot, including media, dance and music, and Anabella even joins the piece at certain times. It is very evident that Anabella is inspired by many things and all her different surroundings whether it be in New York, Argentina, or Italy. Anabella’s work breaks boundaries all while having a strong message and keeping the language intact. 

Bahia Blanca was a much more family oriented experience. Most of Anabella’s relatives have never seen her perform before, so it was wonderful to have them experience and understand her life. Anabella held her book presentation at Centro Historico y Cultural UNS, at Universidad del Sur. It was a very different experience to share her repertory while presenting because so much of her work has to do with Argentinian culture, and politics. Many locals and guests were surprised dancer Lauren Ohmer was able to understand the Argentine culture through dance and movement. The simple response; dance is a universal language. The book presentation as a whole ‘felt more like an inside joke’ Anabella said, because she knew everyone in the room, she was able to talk with the audience instead of reading her prompts because she was discussing something both she and the audience shared, which was a very gratifying experience. In Pursuit of Happiness was performed at Museo de Arte Contemporaneo Museos de Arte: MBA-MAC right in her hometown. Anabella is very open and was able to share a part of herself with many people she knew well, including some teachers from high school. Death is felt the same way universally, therefore the piece, in honor of her recently passed father was well received and appreciated by all.

Overall the tour was a great success. AL/DD received some wonderful coverage by local newspapers both in Bahia Blanca and Buenos Aires, and the trip exceeded many Anabella’s expectations. It was so wonderful to have her whole family, and resident dancer Lauren and her husband together in Anabella’s own hometown. Anabella has always felt as though she lived in three different worlds between Argentina, the U.S, and Italy,  but having Lauren and husband Eric with her finally linked all her worlds into one, and for that, she is highly grateful.

CLICK this LINK to see photos from the Anabella Lenzu/DanceDrama Argentinean Tour 2015! 

What the critics have said: 

Thanks for being by our side all these years!

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Feliz y Agradecida por tan hermosa entrevista por María Inés Di Cicco para ‪#‎LaNuevaProvincia‬, acerca de mi libro mi libro y mi nuevo espectáculo en ‪#‎BahiaBlanca‬!

http://www.lanueva.com/aplausos-impresa/845157/anabella-lenzu–con-el-empuje-de-una-inmigrante.html

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Enjoy this wonderful interview from #Culturebot. Thanks Shannon Elizabeth O’Brien for the amazing conversation!

http://www.culturebot.org/2015/12/25164/anabella-lenzus-unveiling-emotion-and-motion-and-in-pursuit-of-happiness/

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Gracias Balletin Dance y Agustina Lluma por esta linda nota y por su apoyo desde mis comienzos en BahiaBlanca!

Los esperamos el 20 en el Centro Cultural Borges! http://issuu.com/balletin/docs/balletin_dance_249

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Article by Courtney Kenyon  (AL/DD Marketing/ Development Intern)

Anabella Lenzu, founder of DanceDrama, author of Unveiling Motion and Emotion, and teacher and choreographer for 25 years, is deep in the creative process of her newest book. Inspiration struck when Anabella came across many different texts while teaching, all of which didn’t truly explain the movement they were discussing, as it is so hard to put into a photograph, what every part of a dancers body is doing. Anabella’s philosophy is that the journey is the destination – one must bring as much focus and energy to training as to performing.

Over the past year, Anabella has written 32 articles exploring multiple topics for her latest book, Meaningful Gestures: Inner Thoughts and Outward Expressions. This second book, is meant to be an educational guidebook for young dancers, actors and performers, taking experiences from her own classroom, after deep discussions with her students and colleagues. Meaningful Gestures will stray from the format of the first book, as this will be more focused on the technical physical and mental aspects of dance itself. Some featured articles will include Movement or Gestures, Why I am Giving Away my Secrets, The Mask as a Doorway, Breathe before You Move, and Body Architecture, Discovering Improvisation.  This book comes naturally to Anabella; she tells me: ‘Dance is my primary mode of personal expression, my obsession, how I make my living and where I find joy. I have strong opinions about dance that often contradict what is popular, and I enjoy explaining my position to people who are interested and engaged in dance. I believe that Dance is union and communion with ourselves, with others and with the environment. I celebrate, meditate, respond, protest, explore, scream, cry and laugh about life through dance. My own work is intimate, audacious and historically/socially conscious.’ The hope is that this book will serve current and future dancers as they continue to train and explore the professional world of dance.

This past summer, Anabella worked with her husband and photographer Todd Carroll to best capture dancer Lauren Ohmer working with her body and dissecting each specific movement. The book will feature not only pictures of Lauren, but also photos including Anabella working with Lauren and other dancers, helping to make the text more clear. Anabella is working with a new special program on the iPad Pro, to create illustrations to go over some photographs and to serve as companions to the text. Detailed drawings of the muscles and the body in movement, will help dancers better understand strong technique and muscle movement.

As of today, Anabella is hopeful that with her busy schedule, the book will make its premiere in January of 2017! Thank you to all of those who have supported the book thus far, I am sure it will not disappoint!

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Article by Courtney Kenyon  (AL/DD Marketing/ Development Intern)

When Anabella Lenzu began this process in March of 2014 after the passing of her father, she had no idea what the end result was going to be, or what the product was going to become. Anabella began to ask herself how she was going to get to the heart of what she was feeling. So she began to write, and reminisce. With the material Anabella was able to come up with, there could be four or five more shows to include everything.

The creative process is quite different from the grieving process, however there are times where we find that they intertwine. When Anabella began working on this piece the two were tightly connected. The show was therapeutic. She began writing down stories, some important with strong moral endings, some bittersweet or light hearted. She wrote anything and everything even if it was painful, because this was what she wanted to give to her dad. As the process continued however, Anabella found that the two were no longer connected. Though she creates for herself because she needs to feel it, the work is not just about her, but it’s about anyone who has suffered loss. The show became less therapeutic and Anabella soon approached it technically. As she worked, the piece became about generosity. She became aware that there would be people watching the piece and wanted to give them a way to cope with something they might be going through personally.

Anabella and I spoke of the short time she lived in Italy between 2002 and 2005. She remembers the mourning dances. These were rituals that dated all the way back to Ancient Greece. Female dancers or actors of sorts would come and dance around the home of a family who had just lost someone, similar to an exorcism. They would try and cure the family’s grief by helping them to understand life and death. In Pursuit of Happiness has become Anabella’s own contemporary mourning dance, and she has really enjoyed exploring ‘the function of dance as a ritual’ the way it was used in ancient Italy and Greece.

Another therapeutic piece of this endeavor was the music. The tracking for the show is comprised of some of Anabella’s father’s favorite songs, environmental sounds, and a few other special sounds. One of the special sounds you will hear in the performance is a short song that Anabella’s father taught to her when she was just a young girl that you will hear a recording of her trying to teach it to Lauren, her dancer. Another special soundbite you might catch is the sound of her father’s printing press. Anabella was able to travel to Argentina and record the many sounds of her father’s shop. So what you hear is not just a door shutting, it is the door of his shop shutting, and it’s his printing press, and it’s his paper running through the machines. It gives the piece a much more authentic feel. It was a very ‘tangible way to document his printing in the show’.

Make sure you come see In Pursuit of Happiness Friday October 23-Sunday October 25 (8pm shows) at the Alchemical Theater in NYC. Limited seating! You can purchase your tickets online. https://web.ovationtix.com/trs/pr/951784

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